‘Funny Bones’ Brings the Day of the Dead to Life

By: Fergus Hodgson - @FergHodgson - Nov 4, 2015, 1:18 pm

EspañolThere is a reason why print books have yet to go the way of the dodo, and may live on for generations to come. With his richly illustrated classic for children, Funny Bones, Duncan Tonatiuh demonstrates how he and other authors are improving on yesteryear and offering a mix of entertainment and education that is hard to beat.

Picture books don’t normally enter my reading repertoire, but a trip to San Miguel de Allende for the Day of the Dead (el Día de los Muertos) led me to “Dead Talks,” an open forum on the “intersection between life and death.” There I came across Tonatiuh, as he introduced his latest work, and he left me more than impressed.

Although born in San Miguel de Allende and now residing there with his young family, Tonatiuh attended university in New York State and writes in English for the US market. In particular, he wants Mexican-Americans growing up in the United States to celebrate the positive aspects of their heritage, including the Day of the Dead.

<a href="" target="_blank">Duncan Tonatiuh</a> returned to San Miguel de Allende, Mexico, after attending university in the United States. He now writes in English and illustrates from there for the US market. (<em>PanAm Post</em>)
Duncan Tonatiuh returned to San Miguel de Allende, Mexico, after attending university in the United States. He now writes in English and illustrates from there for the US market. (PanAm Post)

In this vain, he offers the noble life of José Guadalupe Posada (1852-1913), an artist hardly known in his time, but whose artwork lives on and has grown in influence and recognition over the past century. Subtitled Posada and His Day of the Dead Calaveras (2015), the book is a biographical ode, accessible and targeted to children of elementary-school age, and it squeezes considerable meaning and detail into a concise 40 pages.

These <em>calavera</em> bookmarks are examples of artwork that continues in the tradition of José Guadalupe Posada. They also demonstrate the Day of the Dead's mix of pre-Columbian practices and Catholicism. (<em>PanAm Post<em>)</em></em>
These calavera bookmarks are examples of artwork that continues in the tradition of José Guadalupe Posada. They also demonstrate the Day of the Dead’s mix of pre-Columbian practices and Catholicism. (PanAm Post)

The simple writing style conveys the nonfiction account as an endearing and humorous story, without pretense or pomp, and it explains the history of calaveras so familiar to Mexicans. These are the skeleton forms of artwork held up on the Day of the Dead. They also happen to be the legacy of Posada’s prolific and innovative career as a cartoonist and printer in Mexico of the late 19th and early 20th centuries.

Posada wasn’t just a creative artist, though, he was a social commentator of the best kind. He enjoyed poking fun at those in power, and his illustrations allowed fellow members of the community to get in on the joke. Such was the impact of his witty artwork and the annoyance with the corrupt individuals, he had to leave his home town of Aguacalientes for León, before moving on to Mexico City.

Unfazed, he continued to use his cartoons to denounce questionable actors in the Mexican Revolution, such as Emiliano Zapata and Francisco Madero. His principal concerns were regarding the plight of the common people, whose blood flowed while a few men pursued personal quests for power.

The beauty of Posada’s work, embraced and conveyed by Tonatiuh, is also its capacity to make people think, to imagine; perhaps that is why his legacy has been so lasting. Tonatiuh gives examples of such provocative images, surrounded his own unique drawings on glossy paper; and he asks questions of the reader — questions for which there is no clear answer, but for which seeking one is still fascinating all the same.

As someone new to the Day of the Dead and Mexico, this children’s book delivered more than I bargained for. In addition to history and an inspiring story, it helped make sense of what was going on around me, such as half the town gathering in the cemetery, with all manner of decorations and activities to remember those who had gone before. With Funny Bones, Tonatiuh will do more than raise awareness among young Mexicans who read English, since the story will resonate with both parents and children of a wider audience.

Funny Bones has art that cannot be replicated on a Kindle screen. (<a href="" target="_blank">Amazon</a>)
Funny Bones has art that cannot be replicated on a Kindle screen. (Amazon)
Fergus Hodgson Fergus Hodgson

Fergus Hodgson was the founding editor in chief of the PanAm Post, up until January 2016, and he now studies finance at Tulane University in Louisiana and Francisco Marroquín University in Guatemala. Originally from New Zealand, he has also lived in Argentina, Canada, Colombia, Ecuador, Ireland, and the United States. Follow @FergHodgson and his Facebook page.

Venezuelan Entrepreneurs Are the Country’s True Heroes

By: Contributor - Nov 4, 2015, 12:22 pm

EspañolBy Adolfo Chacón During the last few years, running a business as an entrepreneur in Venezuela has become a titanic task, akin to those which superheroes carry out in those animated series we held dear as children. Historically, Venezuelan business culture has consisted of two strains. On the one hand, you find the mercantilists, who aim to secure benefits from the government. These are groups with vested interests that hope to obtain a particular advantage in the market through lobbying and political connections. On the other hand, you find the real entrepreneurs, who come up with an idea, develop it with effort, and manage to become competitive in the market. The benefit-hunting, mercantilist businessmen prosper under the socialist or, in the best case scenario, interventionist economic system that has prevailed in Venezuela throughout the country's economic history. Sadly, the business sector is in a critical situation. The number of people willing to risk their time, capital, and effort to move the country forward is dwindling. Venezuelan entrepreneurs have suffered the abuses of a system that does not respect private property. In Venezuela, regulations prevent companies from being efficient, and the government determines what companies can sell, as well as how, why, when, to whom, and at what price. If an apparatchik decides on a whim that the price of your product is unfair, you can land in jail or face expropriation. Venezuelan entrepreneurs also have to carry on their backs the stigma of being portrayed as hoarders, usurers, speculators, pitiyanquis (Yankee sympathizers), or putschists. We are now used to hearing all those epithets on the radio and on television at any time of the day, broadcasts that prove how envy, resentment, and shallow criticism have overrun our society. In Venezuela, entrepreneurship requires an overwhelming effort. This is a country where you have to coexist with socialism, a system that destroys everything that is productive in a matter of days or weeks. It is a country where the people, the most valuable capital, are running away from their misery. We are now used to a hopeless future, and we usually find ourselves saying: "it seems this won't change." It is admirable that many businessmen who worked extremely hard for decades to build a company and create jobs still believe in Venezuela, a country which has vilified them, even as they endure 40 government inspections each month, as if they were criminals. Without a doubt, it would be easier for them to shut their business down and take their money to any country that offered them better conditions. Wealth creators, after all, are human beings, and they seek a decent quality of life like everyone else. It's difficult to face the fact that, if you argue in public in favor of economic freedom as a means to boost Venezuela out of its current state of hunger and misery, you can end up in jail. Entrepreneurs, however, know that their task includes proving how their values — hard work, striving for excellence — can bring benefits to everyone. [adrotate group="8"] This is why I feel so grateful toward Venezuelan entrepreneurs, men and women who wake up each day with the goal of improving others' lives by creating jobs and high-quality products in the most hostile business environment. We might complain about the government's crackdown on the private sector, but that truth is that, without the few brave businessmen that have stayed in the country, our situation would be much worse. Many people were aware from the outset that the free market allows anyone to undertake a project and stand on their own feet without depending on welfare or the Venezuelan state's miserable system of redistribution. But life under the Chavista regime has taught many others this lesson the hard way. Under a better regime, entrepreneurs would be able to concentrate on creating products and jobs. Economic freedom and the rule of law would allow Venezuelans to become more productive, and the government would limit itself to guaranteeing an attractive environment for investment and entrepreneurship. If we can achieve that, we will become citizens of a country that produces prosperity instead of subsidizing penury. Adolfo Chacón is a lawyer and coordinator for the Youth Area with CEDICE Libertad Venezuela. Follow @_AdolfoChacon.

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